Krishnokoli biography templates
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Kazi Nazrul Islam
Bengali poet, writer and musician (1899–1976)
"Nazrul" and "Nazrul Islam" redirect here. For other persons with the same name, see Nazrul Islam (disambiguation).For other uses, see Kazi Nazrul Islam (disambiguation).
Kazi Nazrul Islam (Bengali: কাজী নজরুল ইসলাম, pronounced[kad͡ʒiˈnod͡ʒɾulislam]ⓘ; 24 May 1899[b] – 29 August 1976) was a Bengali poet, short story writer, journalist, lyricist and musician.[8] He is the national poet of Bangladesh.[9] Nazrul produced a large body of poetry, music, messages, novels, and stories with themes, that included equality, justice, anti-imperialism, humanity, rebellion against oppression and religious devotion.[10] Nazrul Islam's activism for political and social justice as well as writing a poem titled as "Bidrohī", meaning "the rebel" in Bengali, earned him the title of "Bidrohī Kôbi" (Rebel Poet).[11] His compositions form the avant-garde music genre of Nazrul Gīti (Music of Nazrul).[c]
Born into a Bengali MuslimKazi family from Churulia in Burdwan district in Bengal Presidency (now in West Bengal, India),[2] Nazrul Islam received religious education and as a young man worked as a muezzin at a local mosque. He learned about poetry
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CV of Arindom Paul-update
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Rasasvada: A Comparative Approach to Emotion and Self
Related papers
Graham M Schweig
Encyclopedia of Hinduism
The word rasa within the Hindu context, specifically for certain devotional bhakti traditions, has come to refer to the ultimate experience of a tran-scendent and perfect love. This love engages pure emotions in any one of several eternal relationships with divinity, of greater or lesser levels of intensity of blissful intimacy that occur within the divine realm of → līlā within which the acts or play of god take place. The complexity of the word can be accounted for by viewing its meanings that have traversed a wide spectrum of applications. The word's meanings have been associated with a botanical substance, a sensory experience, an ontological significance, an aesthetic delight, a transcending otherworldly experience, and ultimately a theological vision within → bhakti. The religious meaning and significance of rasa and the development of a theory of an ultimate aesthetic principle called rasa, from the earliest usage in secular dramaturgy beginning around the 4th century CE up to its culmination in the bhakti tradition, especially of the → Caitanya school of → Gauḍ īya Vaiṣ ṇ avism in the 16th century CE, is reviewed here. The Sanskrit word ras