Famous latin american artists
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The 30 Most Influential Latin Artists of All Time
Vicente Fernandez
The king of ranchera music, Vicente Fernandez perfectly embodies the grandeur of the charro — a regally costumed, cowboy-like male figure in traditional Mexican music. He has the operatic vocal range to match his stature and, having recorded more than 50 albums in 50 years, is among Latin music’s most prolific artists. His performances are the stuff of legend and his influence transcends music (he has starred in over 30 films). From his son Alejandro to younger generations of ranchera singers, Vicente is the standard they all strive for.
José José
A balladeer in the truest sense of the word, Mexican legend José José brought a renewed sense of chivalry and a polished sheen to contemporary Latin music in the ‘70s and ‘80s. Through classic albums like Secretos, Reflexiones and Promesas, “The Prince of Song” proved he was one of the best boleros singers around — and he looked damn good in a tuxedo, too.
Banda El Recodo
When Don Cruz Lizárraga founded Banda el Recordo in 1938, he set the template for the modern banda sinaloense super-group, characterized by an all-acoustic, brass and percussion-driven sound. They led the pack
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List of best-selling Latin congregation artists
Latin Music
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9 South American Artists You Should Know
Given its history of colonization, South America is a place that brings together the culture of its European colonizers with rich Indigenous culture and African traditions. While many places in South America continue to grapple with poverty and violence, this cultural melting pot has given rise to an incredibly diverse range of artists. Here are nine extraordinary artists from nine South American countries.
1. Jesus Rafael Soto (Venezuela)
The sculptor and painter Jesus Rafael Soto was an experimental artist whose work plays with the dissolution of the line between the viewer and the object. Born in 1923, the Venezuelan artist is best known for his immersive art installations. Many of his sculptures invite visitors to enter them, turning people into a crucial part of the artwork. By doing so, Jesus Rafael Soto challenges the colonially imposed worldview that separates the subject and the object. Instead, Soto´s artworks form the physical manifestation of a worldview wherein everything is one.
Instead, Soto´s artworks form the physical manifestation of a cosmology wherein everything is one. Jesus Rafael Soto himself expressed this sentiment as follows:
We are not observers but constituent parts of a reality that we k