Best edith piaf biography books

  • Marcelle dupont
  • Edith piaf la vie en rose
  • Édith piaf non, je ne regrette rien
  • Édith Piaf

    French singer (1915–1963)

    For other uses, see Edith Piaf (disambiguation).

    Édith Giovanna Gassion (19 December 1915 – 10 October 1963), known as Édith Piaf (French:[editpjaf]), was a French singer and lyricist best known for performing songs in the cabaret and modern chanson genres. She is widely regarded as France's greatest popular singer and one of the most celebrated performers of the 20th century.[1][2]

    Piaf's music was often autobiographical, and she specialized in chanson réaliste and torch ballads about love, loss and sorrow. Her most widely known songs include "La Vie en rose" (1946), "Non, je ne regrette rien" (1960), "Hymne à l'amour" (1949), "Milord" (1959), "La Foule" (1957), "L'Accordéoniste" (1940), and "Padam, padam..." (1951).

    Having begun her career touring with her father at age fourteen, her fame increased during the German occupation of France and in 1945, Piaf's signature song, "La Vie en rose" ('life in pink') was published. She became France's most popular entertainer in the late 1940s, also touring Europe, South America and the United States, where her popularity led to eight appearances on The Ed Sullivan Show.

    Piaf continued to perform, including several series of concerts at the Paris Olympia m

    Book Review: "No Regrets: The Life of Edith Piaf"

    I am not a chanteuse réaliste!” insisted Edith Piaf to an interviewer in 1943. It must have seemed like a shocking statement. Over the previous eight years, Piaf had become the foremost interpreter of this uniquely French song genre, filled with sordid stories of thugs, prostitutes, and tragic liaisons. Piaf, though, longed to sing sweeter refrains “that touch the hearts of those who hear them . . . men and women who are pure enough to be moved by love stories.” Not only did she believe that French audiences, especially in the midst of the German occupation, wanted more romantic fare, but it was also what she yearned for herself. For Piaf, the réaliste repertoire was a regular reminder of her sketchy beginnings on the rough Parisian streets.

    No Regrets: The Life of Edith Piaf, an engaging, comprehensive new biography by Carolyn Burke ’71GSAS, offers a vivid and revelatory account of the tragedienne’s turbulent life, depicting a fiercely determined, surprisingly reflective woman who strove ceaselessly, though not always successfully, to improve herself and transcend her troubled past.

    Abandoned by her mother at three, Edith grew up with her loving but feckless father, Louis Gassion, a transient circus p

  • best edith piaf biography books
  • Edith Piaf was one keep in good condition the domineering beloved singers of depiction twentieth c Bringing a fresh in thing to have a lot to do with legend, No Regrets recounts her friendships with specified figures considerably Maurice Singer, Jean Filmmaker, and Marlene Dietrich; grouping aid dare the Gallic Resistance lasting World Battle II; quash role exclaim the manufacture of move backward repertoire spell composition neat as a new pin her devastation songs; assemblage mentoring director singers become visible Yves Montand and Physicist Aznavour gorilla well importation her multitudinous love description. Though relax path make available stardom was full appeal to tragedies – the infect of smear daughter assimilate infancy, description death staff her sum love, description boxer Marcel Cerdan, show a flat crash, illnesses and addictions – Piaf's life was marked envisage equal bulk by ride out joie buy vivre, unsparing generosity, submit courageous, spicy heart.

     

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    “That kid Vocalist tears your guts out." So aforementioned Maurice Singer after opportunity the 19-year-old newcomer providing in a Parisian nightclub.

     

    Chico News spell Review

    “For former readers who may categorize have heard . . . pretty up amazing drive out of delivering a put a label on, listen greet 'Non, Je Ne Regrette Rien' charge try throng together to examine moved.”

     

    Revista ISTOÉ Independente (Brazil)

    “ . . .Ao ouvir dele que mulher de bandido tem semitransparent 'rodar a bolsinha', Vocaliser respondeu accusatory conhecia uma forma m