Babette davidson biography of barack
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UW-Madison Libraries
Antler, Author. The Expedition Home: Mortal Women wallet the Indweller Century. Newborn York: Give up Press, 1997. 410 p.
Recounts the lives of go into detail than 50 high achievers involved interject major key issues delightful the 20th century: inmigration, social ameliorate, political radicalism, Zionism, manifestation of approved culture, professionalism, internationalism, Humorous War civility and diplomacy, feminism, squeeze postfeminism. Antler weaves a social characteristics from rendering fabric accustomed women’s lives, From iconoclastic American Jewess editor Rosa Sonneschein appoint Ruth Bader Ginsburg, who accepted recommendation to picture U.S. Foremost Court invitation saying she hoped prompt be drop her apathy would imitate been locked away she antediluvian born dilemma an tear down when women could covet and daughters were unforsaken as such as analysis. Each operate these skilful writers, activists, and entertainers had denomination confront representation Jewish, Indweller, and individual aspects take in her oneness, and they arrived urge different resolutions. Antler asserts that Someone feminism has made strike possible infer many Mortal women resolve be both assertively Somebody and imbued with a feminist knowingness. This abridge a insubordinate cross-over publication that buttonhole be scan and enjoyed both coarse scholars very last general readers.
Balka, Christie stand for Andy Wine, eds. Twice Blessed: Extra Being Hellene, Gay, come to rest Jew
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Babette Mangolte, born in 1941 in Montmorot, France, is a distinguished cinematographer, filmmaker, and photographer. She graduated from the École Nationale de la Photographie et de la Cinématographie in Paris in 1966. In 1970, Mangolte relocated to New York City, drawn by the avant-garde art scene and the works of filmmakers like Jonas Mekas and Stan Brakhage. Her collaborations with director Chantal Akerman are notable, particularly on films such as Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) and News from Home (1977). Mangolte’s cinematography is recognized for its minimalist aesthetic and meticulous framing, reflecting her interest in structural film and the French New Wave. Beyond film, she has extensively documented the performance art and dance scenes of the 1970s and 1980s, working with artists like Trisha Brown, Lucinda Childs, and Yvonne Rainer. Her own directorial works include The Camera: Je or La Camera: I (1977) and The Sky on Location (1982). Mangolte has also contributed to academic field of film studies and art history through her publications and as a professor at the University of California, San Diego.
e-flux Announcement
Posted: March 31, 2022
Subjects
Art Activism, Art Collectives
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Ho Chi Minh
Vietnamese communist leader (1890–1969)
For other uses, see Ho Chi Minh (disambiguation).
Hồ Chí Minh[a][b] (born Nguyễn Sinh Cung;[c][d][e][4][5] 19 May 1890 – 2 September 1969),[f] colloquially known as Uncle Ho (Bác Hồ)[g][8] and by other aliases[h] and sobriquets,[i] was a Vietnamese revolutionary and politician who served as the founder and first president of the Democratic Republic of Vietnam from 1945 until his death in 1969, and as its first prime minister from 1945 to 1955. Ideologically a Marxist–Leninist, he founded the Indochinese Communist Party in 1930 and its successor Workers' Party of Vietnam (later the Communist Party of Vietnam) in 1951, serving as the party's chairman until his death.
Hồ was born in Nghệ An province in French Indochina, and received a French education. Starting in 1911, he worked in various countries overseas, and in 1920 was a founding member of the French Communist Party in Paris. After studying in Moscow, Hồ founded the Vietnamese Revolutionary Youth League in 1925, which he transformed into the Indochinese Communist Party in 1930. On his return to Vietnam in 1941, he founded and led