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Ethiopia recently unveiled the Ashenafi Kebede Performing Arts Center in a ceremony graced by Prime Minister Abiy Ahmed (PhD). Located within the Yared School of Music, this grand opening celebrates not just the institution but the extraordinary man behind its namesake. But who exactly was Ashenafi Kebede (Prof.)?
Ashenafi’s compositions are celebrated for their evocative portrayal of Ethiopia’s rural serenity, an ironic twist given his urban upbringing in Addis Ababa. Among Ethiopia’s musical elite and international aficionados, Ashenafi’s name resonates strongly, though he remains a hidden gem to the broader public. He was a maestro of classical music, a pioneering ethnomusicologist, a diligent music historian, a prolific author, and an inspiring teacher.
Ashenafi was born in 1938. His childhood, though not extensively documented, was profoundly influenced by his mother, Fantaye Nekere. “Ashenafi’s mother, Fantaye, was an artistic individual and an early source of inspiration for young Ashenafi. She taught him about Ethiopian artistic forms such as poetry and verse, which he later drew upon for his work,” one review highlights.
Ashenafi’s heritage is steeped in historical significance. His paternal grandfather, LiqeMekuwas Adinew Goshu, was a celebrate
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ROOTS OF BLACK MUSIC: The Vocal, Instrumental, and Dance Heritage of Africa and Black America, by Ashenafi Kebede
"A much-needed point of view, unusually broad coverage, and, in certain areas, extensive treatment of special interest. This is a text both scholarly and humane, both African and American." -David P. McAllester, Society of Ethnomusicology
"Both its style and subject matter should appeal not only to a general readership but to a college level class... [The] refereneces, bibliographies, and discographies make it especially valuable." Robert Washburn, Crane School of Music, State University of New York
An authoritative, fascinating study of the origins of black music, reflecting the author's own life experiences growing up in Ethiopia, first-hand knowledge acquired through fieldwork in Africa, and a wealth of research findings int eh United States, this book traces the development of songs, instrumental music, dance, blues, and jazz. Included are biographical sketches of some of the most outstanding musicians of Africa and North America. Dr. Kebede also discusses urban music and the impact of the communication media on traditional forms of the black music.
Bringing rare insight to his subject, professor Kebede goes beyond the limitations of many introductory texts